Friday, July 10, 2009
Gazanias of Kashmir
I saw these striped gazanias in Nishat Bagh, Srinagar.
I have used two media, water colour for the background and acrylic for the flowers. This is because I want flowers to be more opaque than the background.
The following are the steps:
Step1:
After outlining the flowers with a pencil, I applied a wash of light yellow and painted the background.
I used flat brush No. 6.
Step 2:
Then I colored the petals with crimson red and lemon yellow acrylic colors.
Step 3:
I completed the shadows of the petals and made the finishing touches.
I have used two media, water colour for the background and acrylic for the flowers. This is because I want flowers to be more opaque than the background.
The following are the steps:
Step1:
After outlining the flowers with a pencil, I applied a wash of light yellow and painted the background.
I used flat brush No. 6.
Step 2:
Then I colored the petals with crimson red and lemon yellow acrylic colors.
Step 3:
I completed the shadows of the petals and made the finishing touches.
Sunday, March 8, 2009
Dawn in the desert
I have used faint colours without much overwork. This painting demonstrates a dawn in desert.
I have used broader brushstrokes for the sky and the sun.
In watercolour, there is a risk of spoiling a successful landscape painting by adding the sky later. It is better to introduce the sky at an early stage so that the tonal relationships can be built up together. So, the desert sand and the moving people have been painted after completing the sky. I have used bluish-black to depict the darkness of moving people and animals.
To create balance in a landscape painting, either the land or the sky must dominate. Here, the land (and the objects on the land) dominate and contain strong centre of interest as compared to the sky.
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